Posts Tagged ‘blog’



March 17, 2015

By Kalyn Oden, PR Intern

One, two, three! One, two, three! Those are not only counts but also the number of ballets to be presented during Houston Ballet’s spring mixed repertory program “Modern Masters” from March 12-22, 2015. The program features George Balanchine’s Ballo della Regina, Spanish choreographer Nacho Duato’s poignant Jardí Tancat, and Harald Lander’s Etudes.

Etudes; Artists of Houston Ballet; photo by Amitava Sarkar

Etudes; Artists of Houston Ballet; photo by Amitava Sarkar

Etudes is a ballet that takes the audience through the exercises dancers go through for their warm-up from start to finish. Here to teach this ballet to the artists of Houston Ballet is guest stager Johnny Eliasen. A stager is someone who has danced the performance before and teaches current dancers the steps, timing, architecture and intention of the ballet – they are reproducing the steps already created by the choreographer.

Johnny Eliasen and Connor Walsh; photo by Amitava Sarkar

Johnny Eliasen and Connor Walsh; photo by Amitava Sarkar

As a young boy, Mr. Eliasen danced Etudes then began staging after Leslie Lander saw how he had tackled the performance. From this point Mr. Eliasen has been staging Etudes around the world to several companies.

Etudes is like any other ballet, it is difficult. It is very highly technical and precise, it is not new. However, it is exposed, no makeup or props – just technique,” describes Eliasen. “By dancing this piece, dancers can continue getting into good shape and along with the knowledge and understanding of being in a unit to work together – being on the same beat and making the movements all flow together”, explains Eliasen.

Etudes; Connor Walsh and artists of Houston Ballet; photo by Amitava Sarkar

Etudes; Connor Walsh and artists of Houston Ballet; photo by Amitava Sarkar

This piece will give the audience a sneak peek into the hard work the dancers put forth to make a production happen. Mr. Eliasen wants the audience to, “sit back and enjoy but be aware of the amount of meticulous work the dancers have put into it to have people sit there and enjoy and feel in awe.”

Watch a clip of Houston Ballet performing Etudes-


Checking in with Natalie Payne

July 21, 2014

 By Emily Kammerlohr, Academy Intern

 Time is just flying by and preparations for the final summer showcase are well underway here at the Center for Dance. This week, we’ll be highlighting one student’s path to the performance. Although her days are already brimming with learning, including jazz, gyrotonics, social, and Pilates classes in addition to ballet, Level 7 student Natalie Payne is working diligently to improve her technique for the show.

“I’m always working and focusing on my technique, but now I’m doing it in a way where I can be relaxed on top, and still really enjoy what I’m doing,” she said. “I think that you actually tend to dance better in class that way.”

Click below to hear her discuss the other ways she is preparing for the showcase, as well as her favorite non-dance aspects of the program!

The Level 7 students have been steadily working on Stanton Welch’s Paquita in variations class, but they also have dabbled with Aurora, the variation from Act I of Sleeping Beauty. Natalie mentioned that her class was “fortunate enough to have two lessons with former Houston Ballet principal dancer, Dawn Scannell. It was amazing to learn the variation from her, and hear what the story is behind it!”

We also laughed about the excited atmosphere in the building as the World Cup soccer tournament was often playing in the 5th floor lunch area. “A lot of the guys will go and watch the matches during their breaks,” she said.“We were in class with Claudio [Muñoz] and we had the studio door open. We suddenly heard this giant yell coming from the fifth floor kitchen! It was all the guys screaming because Argentina had scored. It’s been a really fun thing this summer, with everyone going for their teams. It’s been crazy!”

Clark and Lilian will be back next week to give their “multi-level” perspective on the so-called craziness of this summer!


Until then!


The 2014 Summer Intensive Program is Here!

June 20, 2014

By Emily Kammerlohr, Academy Intern

June 20, 2014

It’s that time of year again! On June 14th over 600 dancers from across the USA and around the world arrived in Houston for a jam-packed six week dance adventure.  The first week of the summer intensive program is drawing to a close, but the excitement here at Houston Ballet Center for Dance continues to build! The hallways are filled with student’s enthusiastic chatter, dance bags and energy.

Houston Ballet Summer Intensive 2013

 Houston Ballet Summer Intensive – Photo by Cameron Durham

Want an inside look at all this excitement? You’re in luck! Each week a student will take us into their world right here on En Pointe. They’ll show us what it’s really like to dance in Houston’s summer intensive, all while having fun. This year we’ll be featuring a seasoned veteran with lots of advice to impart, as well as a fresh-faced brother-sister duo who can’t wait to share their excitement with you!

These videos will be uploaded to the Houston Ballet YouTube and Facebook pages as well – so keep an eye out!

Ciao for now!



Making Magic Happen Behind The Scenes In New York At The Joyce Theater

November 4, 2013

Houston Ballet has been extremely busy during the month of October, preparing for two major tours: to New York’s Joyce Theater from October 22-27; and to the Theatre des Champs Elysees in Paris, France October 31 – November 4.

Joyce Banner 2013 HB

Image Courtesy of Houston Ballet

Over the last decade Houston Ballet’s Director of Production Brian Walker has managed the production aspects of Houston Ballet’s tours to Moscow, Spain, Montreal, New York City, and to many cities small and large across the U.S. In this blog entry, Brian discusses the challenges and rewards that Houston Ballet’s production staff faces when the company takes to the road.


 Brian Walker; Photo by Kaye Marvins Photography, Inc.

1.)  If Houston Ballet opened at the Joyce on Tuesday night, when did the Houston Ballet crew arrive in NYC to get ready for the show?

We arrived Sunday evening and started working Monday morning at 9am.

2.)  How much time did production have to tech the show in Manhattan, compared to what you would have in Houston?

We loaded in for 8 hours on Monday and had 4 hours Tuesday morning. Our typical load in before the first tech rehearsal consists of about 36 hours total.

3.)  Does having 7 shows a week (-vs- our usual 4 shows a week in Houston) present any special challenges for the wardrobe department in terms of laundering the costumes?

Mary Clare (our wardrobe person) did have to stay late after each show to do laundry, but that’s a normal part of our process. On Saturday, when we had two shows, it was definitely more of an ordeal trying to get things cleaned and dried between shows. Mary Clare didn’t have a crew to assist, so she spent a lot of time during the matinee working to get things started so she had enough time to get it all done. 

4.)  What are the challenges of working in a much smaller theater (Joyce with 500 seats) versus working in your home theater, Wortham Theater Center (2300 seats, and our home venue)?

Because the Joyce doesn’t have the ability to fly any of their legs or other goods out, they have to come up with creative ways to get rid of things. 

 Play (Ian Casady and Artists of Houston Ballet)

For Stanton Welch’s ballet Play, for example, Stanton wanted to reveal the back wall.  When we did the ballet at the Wortham, all of the legs, borders and up stage goods were flown out to reveal the backstage. At the Joyce, the legs cannot fly out and are hard flats, so they don’t go away. The upstage goods had to be “west coasted” which means bundling and tying them to the pipe that they’re hanging on. 

Lisa J. Pinkham - Joyce Lighting

Lighting Designer, Lisa J. Pinkham; Photo by Brian Walker

Play also used several moving lights in the original version. Our lighting designer Lisa Pinkham had to adapt those looks to conventional lights for the Joyce because we didn’t have moving lights, nor the time to program them.

5.)  What has it been like to work with the Joyce tech staff?

The Joyce Tech Staff are fantastic. They’re really good at what they do and have a keen eye on how to approach their venue and are very helpful in getting our show up and running.

6.) What’s been the most challenging aspect of the tour for production?

The most challenging aspect for this tour would have been putting Play back together. It’s been several years since we’ve done the ballet, and it was only done by Houston Ballet on the Wortham stage. 

Touring often requires an adapted version of shows we do at home, but having to adapt Play on the road to a unique venue, not having done it recently presented some challenges. It definitely gave us a place to start the next time we present the ballet outside the Wortham and we have a better idea of how Stanton would like to approach the ballet.

7.) What’s been the most rewarding aspect of the tour for production?

The most rewarding aspect for Stage Manager Michelle Elliott was getting to perform in New York. We all dream at one point or another of getting to do a show in New York City. This was Michelle’s first time stage managing a show in New York and she really enjoyed the experience. 

Stage Manager Michelle Elliott - Joyce HB

Stage Manager, Michelle Elliott; Photo by Brian Walker


The Return of Choreographer Garrett Smith

August 23, 2013

On September 5, Houston Ballet will launch its 44th season, unveiling a new work by choreographer Garrett Smith as part of the program Four Premieres, running September 5 – 15. Garrett got his start as a choreographer in 2007 at Houston Ballet Academy, where he created five works for Houston Ballet II. He then joined the professional company, dancing with Houston Ballet for three years, and winning the prestigious Fellowship Initiative Grant from the New York Choreographic Institute. In 2012, Garrett joined the Norwegian National Ballet.

 Garrett Smith - Courtesy of Norwegian National Ballet

Garrett Smith; Image courtesy of Norwegian National Ballet

For the last three weeks, Garrett has been hard at work on Return, his first commissioned work for Houston BalletIn this blog entry, he talks about the inspiration of John Adams’s music and the sense of gratitude he feels to be coming home to his dance family in Houston.


The music that I selected for my new work is by John Adams. I decided on using “Short Ride ” and also “Harmonielehre pt. III” I have never listened to much of John Adams before, but these two pieces I found were quite energetic and big. They made me want to dance, and I immediately got visuals of bodies on stage. Stanton seemed to be right on board and supportive of this decision which was very good. What was also exciting about this selection of music, is that John wrote back personally within about two weeks of asking for the music rights. It felt like this was the right choice.

The music is big and calls for larger cast. I saw many bodies filling the stage. Ideally I plan to use six men and six women. I don’t want the cast to be too big. I still want it to feel intimate and friendly, and also special to the dancers.

There isn’t necessarily a story to follow, but more of an experience between a group of friends. In my mind I feel that this group of  friends have traveled to a secret place that is special to them.

I decided to give the title of “Return” to the piece. There will be two movements:  one very energetic and explosive movement, and another energetic and sort of mystical movement. The title is slightly symbolic to me. Not only do these characters as good friends “return” to a place that is special to them within the piece. But this work is also my return back to Houston, or should I say my dance home.

Cave Lake Image

For me the setting is inside of a cave. But it can also be open to interpretation as the set is not so literal. Production director Brian Walker has helped me find a way to keep the idea with a more abstract and minimal approach. The cave element has served as a great source of inspiration for lighting and costume ideas. Ever since I found out about the commission, I have been surfing for photos online, as well as a few movies that were compiled into an inspiration album that I shared closely with my costume designer Travis Halsey, and lighting designer Lisa J. Pinkham, who is Houston Ballet’s lighting designer.

Garrett Smith Sketch 1

Sketch by Travis Halsey

I am very happy to have Travis do the costumes for this piece. He designed the costumes for my first big choreographic opportunity when I was in Houston Ballet II. He has now designed four of my ballets. I always knew I would ask him to design something for a big opportunity like this on Houston Ballet.

I am also very excited about Lisa being the lighting designer. I have seen many pieces she has designed for Stanton Welch. She is very talented and I have full trust in her ability to make something spectacular.

I am coming back to a place that is very special to me, Houston Ballet, where many of my close friends and dance family are. It feels like coming back home, but also now as choreographer. I feel it is the best way I could ask to come back. I am beyond excited to also return, and create something special here.

-Garrett Smith

Garrett Smith Headshot 2 - Courtesy of Norwegian National Ballet

Garrett Smith; Image courtesy of Norwegian National Ballet


From two choreographers at the beginning of their careers and two of the world’s most respected and sought after, comes a program of all new works. Acclaimed by The London Times as an artist who “could change the face of British dance,” master Christopher Bruce’s Intimate Pages conveys the joy and the anguish of unrequited love in a deeply moving ballet of strong emotions and powerful actions. James Kudelka, hailed by the New York Times as “the most imaginative voice to come out of ballet in the last decade,” stages his second commissioned work for the company. The program also features new ballets by Garrett Smith and Melissa Hough, both winners of prestigious awards from the New York Choreographic Institute, both who got their start choreographing on Houston Ballet.

Tickets may be purchased by calling 713 227 2787 or by visiting


Reflection – Goals You Set for Yourself: Jonathan Vecseri!

July 23, 2013

Guest Writer: Kate Owen, Academy Intern

Tuesday July 23, 2013

Jonathan is a 16 year old level 6 student from Houston, Texas. Jonathan has been dancing for 3 years at the Ballet Center of Houston and with Houston Repertoire Ballet. He has been in ballets such as Nutcracker, Midsummer Nights Dream, Cinderella, and Storybook. Other activities that he is involved in include speech, debate, square dancing, Civil Air Patrol, and viola. Talk about well-rounded! Jonathan has a love for engineering and mathematics, and ballet of course. During this Summer Intensive, he intends to decide whether he should continue with his ballet career. I don’t know about y’all, but I sure hope he sticks with it!

Please click the link below to meet Jonathan Vecseri and hear him talk about his past few weeks!

Jonathan wants to be a Summer Intensive video blogger to gain interview experience; therefore I will do my best to improve his skills! Besides being involved in Color Guard, speech, and debate, Jonathan has no experience in front of the camera. Dancers must present themselves in front of an audience and with his performance background; this blog will be a breeze!

This courageous young man is attending the Summer Intensive here at Houston Ballet in order to improve his technique and repertoire. He also would like to gain knowledge in what it would be like to be a part of a professional ballet company. Jonathan hopes to decide based on the outcome of this intensive whether or not he will become an engineer or continue with ballet. I know one thing for sure and that is no matter which direction he goes, Jonathan will most definitely flourish.

Stay tuned for the last student video blog post coming soon! The video will show various students sharing their favorite parts of summer and some unique talents.



Round 2 of Dance Advantage’s Top Blogs of 2011 Competition Starts Today

December 27, 2011

We made it to Round 2 of Dance Advantage’s Top Blogs of 2011! Thanks to our readers who commented, En Pointe with Houston Ballet is now in the running for best Dance Organization/Dancer Blog.

So how can you help us win the top spot? Click on the Vote button below and be sure to select En Pointe with Houston Ballet in the best Dance Organization/Dancer category. Voting is open from Dec 27 – Jan 4. We can do this!



December 15, 2011

Dance Advantage is starting their 2nd annual Top Dance Blog Competition and Houston Ballet is throwing their hat in the ring! So how can Houston Ballet be listed as one of the best blogs out there? This is the best part: it’s up to YOU. Our readers, our supporters, our cheerleaders, will determine if we make it to the next round.

Here is how the contest works: if you find yourself constantly checking in to see what Houston Ballet and our amazing dancers are up to, just post a comment on this blog entry! It’s that easy to show your support. After December 20, Dance Advantage will vote on the twenty blogs that received the most comments.

Make our holiday wishes come true and get us on Dance Advantage’s Top Dance Blog List!



Vote for Us for Dance Advantage’s “Top Dance Blog of 2010″!

December 13, 2010

When Dance Advantage announced a contest to decide the Top Dance Blog of 2010, Houston Ballet’s En Pointe couldn’t resist throwing our hat into the ring. Everyone familiar with blogs has been exposed to the endless lists of “bests” in blogging. These lists are composed of the top 100… the top 50… the top 10… But how do they find themselves in those coveted spots? With no clear judging criteria or universal standards, the lists are subjective at best. In an unprecedented move, Dance Advantage has decided to name the Top Dance Blog of 2010 based on your support!

Here is how the contest works: if you find yourself constantly checking in to see what Houston Ballet and our amazing dancers are up to, just post a comment on this blog entry! It’s that easy to show your support. After December 22, Dance Advantage will vote on the twenty blogs that received the most comments. 

It’s the holidays, so show us some love!


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