Posts Tagged ‘competition’


Dancer Diary: Houston Ballet Apprentice Deanna Pearson shares her amazing achievement in Instanbul, Turkey

December 9, 2014

Right before starting her first season with Houston Ballet as an apprentice, Deanna Pearson traveled to Instanbul, Turkey to compete in the Instanbul International Ballet Competition (IBC). The competition takes place every summer with dancers coming from all parts of the world to compete. Ms. Pearson performed at her best and earned a glorious Silver Medal in the Senior Category!

Deanna kept a journal detailing her competition adventure in Instanbul, Turkey. Read more about her journey exclusively here on En Pointe with Houston Ballet—

Deanna Pearson - Houston Ballet

This summer, I was lucky enough to travel to Istanbul, Turkey to take part in the Istanbul International Ballet Competition. Although I had been living in Germany last year and had been able to travel a great deal around the magnificent region that is Western Europe, I had not traveled to Turkey. For those who have never been, I highly recommend Istanbul as a future travel destination. The fascinating history that seeps through the lasting structures from ancient times is enough to capture one’s attention, and the cities rolling hills dotted with buildings and shining mosques, all overlooking the majestic Bosphorus are breathtaking. Needless to say, I regret that I was occupied most of the time with the competition and did not have much time to explore the city.

However, the welcoming venue along with the helpful staff and friendly fellow competitors made my time at the IBC in Istanbul incredibly rewarding and enjoyable. My coach at the time was unable to travel with me and, with the rest of my family back in the US, I traveled to Istanbul alone. International travel, with the complications of foreign languages, can be daunting particularly when traveling alone. As many fellow dancers know however, traveling with ballet tutus zipped up in large, round black bags, can be an even greater struggle. On both my inbound and outbound journeys, I had to practically beg the person at the check in counter to let me take my tutu on board with me. Thankfully none of my costumes were damaged and none of my luggage was lost through the whole process of dragging my things to a bus stop just outside the Istanbul Ataturk Airport, transferring from the bus to a small, yellow cab, and finally arriving at the hotel accommodation provided by the competition. I was lucky to be able to room with a sweet friend of mine who was also taking part in the competition, and I found I was able to communicate with many of the other competitors and that there were all very nice.

Istanbul, Turkey Photo

The scheduling made it easy to know when you would have your rehearsal time and when you would be performing at the performance venue a few minutes walking distance from the hotel. When I wasn’t walking to and from the venue and hotel, I was greatly enjoying popping into the markets and taking in all the different varieties of dried fruits and unknown types of fish. The people that I encountered on the streets and in the markets were friendly, but I could tell I was clearly a strange sight to them and that many were assessing where I might be from as well as why I might be hauling a black disc-like bag around with me. I will say that it became apparent to me that English was not as common as I had expected, but I found I enjoyed listening to the fast-paced and unique-sounding Turkish language.

I had a wonderful time performing my first round classical and contemporary variations, and was so thrilled the next day when my name was on the list of those who had made it to the second round because I couldn’t wait to go back on the stage and to perform my next pieces. I had an even more enjoyable time performing in the second round, having made several friends amongst my fellow competitors who had traveled from Russia and as far as South Africa. At the end of the second round, I just felt incredibly lucky to have been able to perform all my pieces and a bit tired particularly from the high humidity and heat outside the likes of which I had not experienced in quite a while.

Deanna Pearson at Instanbul International Ballet Competition

As always, the other finalists and I waited curious to know the final results of the competition. The night of the award ceremony, we all put on our costumes and make up and gathered on stage for the award ceremony and gala night, unaware yet of whether or not we would be dancing that same evening in the gala performance. I was glad I got to perform all my pieces and was already reflecting positively on my time in Istanbul when I heard my name announced for the Silver Medal in the Senior Category by the head of the competition administration. I could hardly believe it as I went forward and accepted my medal, incredibly grateful and humbled. I was so happy as well for the other medalists, and we congratulated each other as soon as the curtain closed on the award ceremony before hastily getting prepared for the following performance. The audience for the gala performance was wonderful and seemed to take part in the celebratory atmosphere that surrounded each medalist performer.

It was a bittersweet moment when the final bows were over for the gala, and I realized how my time in Istanbul had flown by. I was a little sad the next morning as I rode by taxi through the permanently congested streets of Istanbul, fixing my eyes on the winding Bosphorus gleaming in the sunlight, and knew I would have to return to Turkey someday to explore much more of the city and its landmarks. At my last glance of Istanbul, the gigantic barges were pulling out of the harbors and seagulls were swooping down over the water as the Islamic call to prayer rang out over the hills of the city.

Houston Ballet Apprentice, Deanna Pearson


You can see Deanna Pearson on stage this winter dancing in the Land of Snow as a snowflake and among other roles in Houston Ballet’s magical production of The Nutcracker from November 28-December 28, 2014. There are so many reasons to delight in The Nutcracker: the giant Christmas tree, the dancing dolls, Mother Ginger and her adorable clowns, the lavish sets and the iconic Tchaikovsky score. Ben Stevenson’s production of The Nutcracker has entertained children and their grown-ups for more than 25 years.

For more information visit:


Academy Students Leap On To World Stage At Prix De Lausanne Competition In Switzerland

January 30, 2014

Houston Ballet Academy students Tyler Donatelli, who is 17 and from Huntington Beach, California, and Michael Ryan, who is 17 and a native of Plano, Texas, have been accepted into the  prestigious international ballet competition Prix de Lausanne in Switzerland January 26 – February 1.

Tyler Donatelli & Michael Ryan - Amitava Sarkar Houston Ballet

Dancers: Michael Ryan and Tyler Donatelli; Photo by Cameron Durham

They are in Switzerland this week for an once-in-a-lifetime experience: taking classes, being coached by international experts, and networking with other gifted young students from across the world.  The public can follow their daily progress and watch the final round of the competition on Saturday morning, February 1, via live streaming at the Prix de Lausanne’s web site,

Since 2009, five HoustonBalletAcademy students have won awards at the Prix de Lausanne, with one student, Emanuel Amuchastegui, taking the top prize, and the “Audience Favorite” Award in 2010.  Other Houston Ballet dancers who have won awards at Prix de Lausanne include Joel Woellner, Harper Watters, and Aaron Sharatt.

Joel Woellner_Photo by Gregory Batardon_Prix 2013_Contemporary 2

Joel Woellner at Prix 2013; courtesy of Prix de Lausanne

Behind each of these five winners and Tyler and Michael are a superb group of Houston Ballet Academy instructors who spend months preparing, coaching, teaching and nurturing the young dancers to ready them for the rigors of competition – and in the upper levels of the Academy’s professional training program.

Claudio Munoz is ballet master of Houston Ballet II, and has played a major role in producing the stellar crop of gifted young male dancers in the Academy over the last decade.  He enjoyed a distinguished career as a principal dancer who performed in Peru, Uruguay, Argentina, and New York.  He then went on to serve as an instructor for the Ballet Nacional de Chile, Ballet de Santiago, and Ballet Nacional de Peru.  He joined the staff of Houston Ballet Academy in 1999.  With his charismatic manner, his exacting standards, and his humorous banter in the studio, he has won the affection and dedication of his male students.

Houston Ballet Academy - Claudio Munoz

Claudio Munoz teaching Houston Ballet Academy students; Photo by Cameron Durham

“Claudio understands competitions and balances the pace of the students coaching. He knows when to push and when to step back and allow the student room to find his way,” comments Academy Director Shelly Power.  “Claudio has a wealth of experience that makes his intuitive approach to coaching unique and nurturing.”

Priscilla Nathan Murphy is principal of Houston Ballet’s Lower School, and typically focuses her attention on the Academy’s youngest students.  But recently she has taken a significant role in helping to prepare Tyler and Michael for this year’s Prix de Lausanne.  Priscilla has served on the Academy faculty since 1985, having taught creative movement, ballet and modern dance in the pre-professional and professional divisions of the Academy. As a dancer, she has performed in Singapore and the United States with several companies.  She has also choreographed extensively in the United States.

Level 2_Priscilla Nathan-Murphy_Photo Bruce Bennett

Priscilla Nathan Murphy

“Priscilla is an organic mover,” observed Ms. Power. “Although she might not have worked with the contemporary choreographers whose works the students are required to perform at the Prix, she understands the genesis of the movement. She prepares our students who are competing from a technical level, making them open and responsive to the coaching that they will receive at the Prix. We depend on this foundation because the students cannot go to Prix worried about how to do a contraction. Our students need to focus on how the flow of the movement makes them unique, and they need to be sensitive to the feedback from coaches at the Prix that they are expected to embrace.”

SabrinaLenzi Houston Ballet Academy

Sabrina Lenzi and students of Houston Ballet Academy

A native of Rome, Sabrina Lenzi brings a wealth of international experience to her role as ballet mistress of Houston Ballet II from having danced as a principal at two very prestigious European companies, the Stuttgart Ballet and Birmingham Royal Ballet in the United Kingdom. “Sabrina’s a great coach; she’s very intuitive. She understands the great classical roles because she’s performed them,” observes Ms. Power, “Because Sabrina has been trained in Pilates, she comprehends the body from many different perspectives — from injury prevention to strengthening. Sabrina understands the many different phases of developing a career in dance: from training to become a professional dancer. And she’s very good at helping her students make that transition.  She’s also a mom who has a daughter in the Academy, and being a mother gives her a special understanding of the process.”

A native of Sidney Australia, instructor Andrew Murphy enjoyed a distinguished career as a leading soloist with The Australian Ballet and as a principal dancer with Birmingham Royal Ballet and Houston Ballet. “Andrew is an excellent male role model. He’s very good at helping the male students (some of whom may have been in a school with a majority of girls) to develop an athletic approach with strong attack when they come to Houston Ballet Academy,” commented Ms. Power. “Being very well travelled as a dancer, he brings many experiences from a lifetime of dance in Australia, the United Kingdom, and in America. He started studying ballet very early, and joined a professional company at age 16, which is quite young. Having danced all of the principal roles with companies across the world, he brings a wealth of experience to his coaching.  Andrew is an excellent turner, and he has a superb understanding of the nuances of male dancers executing turns.”

Houston Ballet Academy - Andrew Murphy

Andrew Murphy and students of Houston Ballet Academy; Photo by Nerio Photography



December 15, 2011

Dance Advantage is starting their 2nd annual Top Dance Blog Competition and Houston Ballet is throwing their hat in the ring! So how can Houston Ballet be listed as one of the best blogs out there? This is the best part: it’s up to YOU. Our readers, our supporters, our cheerleaders, will determine if we make it to the next round.

Here is how the contest works: if you find yourself constantly checking in to see what Houston Ballet and our amazing dancers are up to, just post a comment on this blog entry! It’s that easy to show your support. After December 20, Dance Advantage will vote on the twenty blogs that received the most comments.

Make our holiday wishes come true and get us on Dance Advantage’s Top Dance Blog List!



Prix de Lausanne Follow-Up

February 9, 2011

Congratulations are in order for our three Prix de Lausanne competitors.  Liana Carpio and Harper Watters advanced to the top 20 finals performance last Sunday, February 6.  Mr. Watters came in sixth overall and won the Contemporary Dance Prize.  You can watch (or re-watch) the 2011 finals at the Prix de Lausanne website.

Read CultureMap’s article about Harper Watters here.

Congratulations to all three of our fine students!


The Road to the Prix de Lausanne

January 24, 2011

This year three Houston Ballet II dancers have been selected to compete at the prestigious Prix de Lausanne, an international dance competition for dancers ages 15-18 who are not yet professionals.  Ms. Liana Carpio, Mr. Harper Watters, and Mr. Masahiro Haneji will represent the Houston Ballet Academy.  This is what Ms. Carpio had to say about her preparation for the competition thus far:

These past few months have been such an exciting time for me at Houston Ballet!  After I found out I was accepted for Lausanne, rehearsals started immediately.  I have been preparing with many of my ballet instructors on a daily basis to perfect my performance.  Having different instructors critique my movements is truly beneficial to the final outcome.  Sabrina Lenzi, Andrew Murphy, and Claudio Munoz have generously dedicated their time to help me become a better dancer.

They have taught me how to perfect moves while enhancing the artistic expression of the dance itself.  It has been a wonderful journey to see my performance grow and improve each and every day.  Thanks to Sabrina’s, Andrew’s, and Claudio’s corrections, I feel confident in my moves and know that I have put my all into this performance.  I love my dance, and from these rehearsals I have truly learned to connect to each move in the piece.  Being accepted to compete at Lausanne has been such an honor, and I know that I want to put forth my best effort in order to truly take advantage of this amazing opportunity.

The 2011 Prix de Lausanne will be held February 1-6 in Lausanne, Switzerland.  You can read more about the Prix on their website.  We will continue to post blogs updating our fans about the dancers’ progress throughout the competition.

Liana Carpio

Liana Carpio. Photo by Amitava Sarkar.


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