By Kalyn Oden, PR Intern
The stunning costumes and magical sets just appear for each performance, right? This thought might have crossed your mind a time or two but I am here to discuss the detailed thought process in the costume design process that took place for Houston Ballet Artistic Director Stanton Welch’s world premiere of Zodiac. The company gets ready to perform its final 3 shows of Zodiac in a mixed repertory featuring works from some of the most talented choreographers called “Morris, Welch & Kylián” this weekend.
Here to discuss the design process for the Zodiac costumes is Costume and Set Designer Eduardo Sicangco (http://eduardosicangco.com/). As a young boy Sicangco was taken to costume fittings by his mother who was in the opera which is where the desire to become a costume designer emerged. “I was intrigued when they would take a house mother and turn her into a beautiful, stunning opera singer with the costumes” describes Sicangco.
What was your inspiration for the ballet Zodiac?
I met with Stanton last year in New York for lunch. He asked me “Have you seen the movie 300?” – I have. From there I went to look at the book by Frank Miller and I thought to myself “They have no cloths, just loincloths. What is there to design?” Creating a new piece has its challenges because there is no reference; I am making something new that has not been seen. I then researched each Zodiac sign, asked to hear the music that gave me the sense of seeing lots of metal and I went to the Metropolitan Museum of Art to the Greco Roman to take and look at photos intensively. I studied the hair, colors and physics. I began to sketch after doing much research that allowed the sketches to flow easier. This piece was to be very sensual and celebrates the physic of the dancers.
What is the significance in the costumes for this piece?
The costumes help set the mood and tone for the piece. The costumes celebrate the dancers physic and let the choreography come to life – they help support the choreography and story telling. The costumes transport the audience into the world of Zodiac, dancers turn into gods and demi-gods not just ordinary dancers. I wanted to make them look sexy and engaging on top of their natural beauty.
Do you have a favorite design out of all the signs?
Virgo female. It is very Asian and Greek style that is visually appealing and flowy.
After doing extensive research, how long did it take you to create the designs?
It took a while after the research was completed. Once the sketches are drawn, many changes take place because of the choreography. For example, the headpieces had to be changed to work with the dancers and the choreography because originally they were heavy. I had to be able to change, adapt and evolve my sketches. Some sketches worked the first time and others pieces had to be changed. The costumes are not final until the last dress rehearsal. It is the joy of creating a new piece.
The magic is revealed in the process in making costumes for a new piece, but not just any new piece – Zodiac.
Houston Ballet’s Summer Repertory is powerhouse program, pairing two world-premieres with the revival of a twentieth century masterpiece. Modern dance legend Mark Morris creates his first work especially for Houston Ballet. Stanton Welch explores the twelve signs of the zodiac in a new piece set to a commissioned score by the distinguished Australian composer Ross Edwards. Set to Stravinsky’s powerful score, Jiří Kylián’s Svadebka dramatizes the events of a Russian peasant wedding, performed with a live chorus.
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Watch a preview of Zodiac—