Houston Ballet mourns the passing of longtime ballet administrator Henry Holth, former general director of the Houston Ballet Foundation from 1972-1977, who died August 15, 2013 in Albuquerque, New Mexico, where he was president and general director of the Ballet Pro Musica Festival. He was 86 years old, and the cause of death was a heart attack. Arrangements for a memorial service are pending.
In this blog entry, longtime Houston journalist Carl R. Cunningham, who covered the Houston dance scene for over three decades from the 1960s to the 1990s as the dance critic for The Houston Post, recounts Holth’s key role in building a strong financial base for Houston Ballet in the first decade of the company’s development.
Henry Holth was born June 6, 1927. He performed as a dancer early in his career with Ruth Page’s Chicago Lyric Opera Ballet, the Bavarian National Opera Ballet, and the Grand Ballet International du Marquis de Cuevas.
Holth came to Houston in 1972 from Boston, where he had served as general manager of the Boston Ballet. His administration bridged the Houston Ballet artistic directorships of Nina Popove, acting artistic director James Clouser and the beginning of Ben Stevenson’s 27-year career. During his time, Houston Ballet mounted its first full-length performances of The Nutcracker, using the Boston Ballet production choreographed by Frederic Franklin. It was accompanied by the company’s first use of a live orchestra. Guest stars began to appear with the company, including Cynthia Gregory, Edward Villella, Natalia Makarova, Ivan Nagy, Dame Margot Fonteyn, Desmond Kelly and Allegra Kent.
The company grew from its original 15 dancers to as many as 32 members during Holth’s term and greater fiscal control was attained. A balanced budget was achieved by the time he left in 1977 to become director of program development for the Society for the Performing Arts. During his administration, Houston Ballet also moved into its first company-owned studios at 2615 Colquitt.
From 1978 to 1983, Holth was president and general manager of the Dallas Ballet Association, and in 1984 he became president and general manager of the City Center Ballet of San Jose, California. In that position he oversaw the merger of the San Jose and Cleveland, Ohio, ballet companies.
Other institutions that Holth served as chief administrator include Ballet El Paso, San Francisco’s Dances in Time, Las Vegas Ballet, Boise Ballet, and Annapolis Ballet. He was the founder of the Santa Fe, New Mexico, Ballet, now the Aspen-Santa Fe Ballet, and of the Ballet Pro Musica Festival.
-By Carl R. Cunningham