Today is load-in day for The Nutcracker, which means costumes, backdrops, set pieces, and props are being moved into the theater from our studios on W. Gray and our warehouse in the 5th ward.  Three 18-wheelers are currently inhabiting the Wortham loading dock as each piece is carefully unloaded, moved to its proper location, and re-assembled on Brown Stage.   I was able to snap a few pictures while I was at the theater today to give you an idea of the organized chaos…let’s just say, regardless of our doing this every year for the past 22 years, it’s still not easy.  And just think: all of this will be completed and arranged just-so for the curtain to go up on November 27.  Click here to see the pictures.

You may recall our recent post on The Nutcracker clown auditions, which you can read here.  Houston Ballet’s Ben Stevenson Academy student Eleni McGee, age 12, is one of the lucky few who will take the stage in November to dance this role.  Here’s what she had to say about performing in The Nutcracker:

Q: Why did you audition for this role?
A: With each of the numerous performances I feel the pounding thrill of the music combined with the detailed, elaborate costumes and quick choreography. These aspects make me desire to be on the stage each year for The Nutcracker. Even with the nerve-wracking anxiety of the auditions, each year of The Nutcracker is definitely worth it. So when thousands of bodies with butterflies flapping in their stomachs crowded into Studio A to face an array of judges, I thought of the exhilarating fun that would await me if I were accepted.   Even when I attended The Nutcracker at five years old in a frilly pink dress, my favorite part would be the clowns darting out of Mother Ginger’s skirt and frolicking around happily. Each year this image causes me to want the role more and more.

Q: How long have you been dancing?
A: I have been dancing for six years.

Q: What are you most looking forward to during The Nutcracker run?
A: I most anticipate dancing the energetic steps on the stage during The Nutcracker with bright lights shining on you and colorful props popping out in the corners of your eyes. I relish the moments when friends gather into the dressing rooms and discuss the performance while re-applying make-up and hairspray.  Performing the part with friends is especially exciting, because the role of the clown certainly requires the teamwork of twisting and turning each other and delivering it with a gleaming smile.  I also admire every second of the melodic, flowing music that just seems to leak into the audience’s chairs. Gawking at the professional dancers being perfectly courageous and fearless on stage is always a highlight of The Nutcracker.

Q: What does landing this role mean to you as a dancer?
A: When I opened the acceptance letter for The Nutcracker, I overflowed with joy. Each year I have enjoyed the dancing and choreography. Especially with this being my last year to be able to be a clown, I feel fortunate to perform the steps on stage along with my peers.  As a dancer, I am happy to experience as much as I can on stage with the professional company. Every step seems to be filled with honor, and I am glad to have exposure to know what it is like to have your part on stage make a difference in what the audience thought or the newspaper review.  I love the energetic steps, and the fact that I get to show the work from rehearsals and classes on stage is fabulous.

For more information about The Nutcracker, you may visit Houston Ballet’s website.

Due to inclement weather, the October 9 performance of Houston Ballet’s Swan Lake + Two program was cancelled.  If you purchased tickets to this performance, please visit the Pavilion’s website for more information about refunds.  Thank you, and very sorry for any inconvenience!

Houston Ballet will be performing a mixed repertory program titled Swan Lake + Two at the Cynthia Woods Mitchell Pavilion on Friday, October 9 at 8 PM.  The program will be comprised of Act II from Stanton Welch’s Swan Lake, Nacho Duato’s Jardi Tancat, and Jiří Kylián’s Falling Angels.

Pre-concert activities will begin at 7 PM.  Orchestra seating is $15, and free mezzanine and general admission lawn seating is available. To purchase tickets or for more details, visit the Pavilion’s website.

Grab a blanket and come out to support Houston Ballet in The Woodlands!

Join us for the 15th Annual Weekend of Texas Contemporary Dance, September 25-26.  Presented by Dance Source Houston, this is a free dance festival that will take place at Miller Outdoor Theatre and will showcase Houston’s finest range of choreographic styles set to a variety of music, including Amy Ell’s gravity-defying aerial dance skills in Thread; Freneticore’s dance-on-film, Tetjusin; and Polly Motley’s Charmed Romantics, performed by the Atlanta/Houston company CORE Performance Company. Other works include those by Houston Metropolitan Dance Company, Hope Stone, Urban Souls Dance Company, and many more.  For more information about the festival, please visit Dance Source Houston’s website.

HBII, Houston Ballet’s pre-professional training company, will perform “Dance Around the World” on September 26 at 11 AM.  This special family matinee is a free event at Miller Outdoor Theatre which will showcase the many talents of our second company.

Come help us celebrate the great dance talent that Houston offers!

Here is a great blog entry by Locke Bryan Productions about the making of our television commercials.  We’ve been working with Locke Bryan for many years, and the results are always fantastic.  With their help we’ve won 3 Gold Addy Awards and 1 Silver.  Enjoy!

Guest writer: Melissa Seuffert, public relations intern for Houston Ballet

Growing up as the granddaughter of a European ballerina who came to the U.S. and founded her own ballet company, I’ve had my fair share of Nutcracker experiences.  My most vivid memory was watching dress rehearsals with my grandmother.  It was always so magical seeing visions come to life, and every performance I see to this day captures me in a way that takes me back to my childhood.  I’ll admit it; dreams of being the Sugar Plum Fairy still manage to find their way into my head.

Imagine how excited I was to find out that this year, for the first time EVER, Houston Ballet is opening up auditions so young ballerinas can have the opportunity I missed – to dance in this year’s production of The Nutcracker as Mother Ginger’s clowns!  Head over to Houston Ballet’s studios (1921 W. Bell in River Oaks) on Saturday, September 26 at 3 PM ready to dance.  The audition is open to girls aged 10-12 who are no more than 4’10” in height and have had at least four years of ballet training.

Mother Ginger Clowns from Houston Ballet’s The Nutcracker. Photo by Jim Caldwell.

If you’d like more information about the auditions, contact Houston Ballet’s Ben Stevenson Academy at 713.535.3210.  If I were you – or your daughter, niece, granddaughter, you name it – I wouldn’t miss this chance to shine!  If only I’d had the chance to dance with the big wigs like these girls will, maybe this Houston Ballet intern wouldn’t be sitting at the computer, but dancing in the studios instead.

-Melissa

Principal dancer Amy Fote discusses her fashion sense with the Houston Chronicle.  Check out the article here.  Fote will make her debut as the lead in Manon, running September 10-20.

Here’s a great photostream of images from yesterday’s Theater District Open House.  The Sugar Plum Fairy was kind enough to join us for the day and take pictures with kids and adults alike!

Continuing with questions posed to us on Facebook, Nancy Sands asks:  What are your dancers’ favorite roles and why?

I’ve been thinking about your question for a few days–there are so many!–and I’ve narrowed it down to four.  They are:

“Red Couple” in Stanton Welch’s Tu Tu.  This ballet is simply gorgeous–its movement and music harmoniously creates an exquisite piece of jewelry to be showcased.  So just from watching the ballet, Tu Tu was a special piece to me.  And it became even more so in dancing the Red Couple.  The Red Couple dances a luxurious pas de deux: always flowing and graceful, and unexpectedly dynamic, balancing fragility, strength, searching, yearning.  Experiencing and exploring these sensations in studio and on stage, it now holds a special place in my heart.  

Suzuki in Stanton Welch’s Madame Butterfly is another one of my favorites.  From the beginning of rehearsal, I felt a deep sense of connection to this ballet through my Japanese roots, and while exploring Suzuki’s character I became attached and attracted to her attributes—her strength, integrity, stubbornness, kindness, charm, drama, and character–a true friend who is always on Cio-Cio San’s side.  I came to find out how complex this character was and couldn’t leave her alone.  I enjoyed nurturing her.

Grandmother in Ben Stevenson’s The Nutcracker–because she is the oldest character I’ve tackled so far!  She and the Grandfather are the oldest characters in the ballet, and yet they have as much fun as Clara and Fritz.  I love that!  Not to mention it has stretched me in a different way than a typical dancing role or a character.

Dancing the Sugar Plum Fairy in The Nutcracker is a role I love and look forward to every year because it is one of the most elegant, classical, and challenging ballet characters.  Every year I’m humbled–it does not get easier!  She is the quintessential ballerina role; growing up, I looked up to her, and I’m finding out it’s quite a task portraying and becoming this beauty!

Best Regards,
Nao